Sound is represented throughout the extract of Merlin with diegtic and non-diegetic sounds. For example, at the beginning of the extract non diegtic sounds are edited into the sequence to create tension when Merlin is looking through the lady's belongings when he isn't supposed too. The music automatically stops when the lady is speaking to show her importance and power. Diegtic sounds are used when Merlin is walking through the farm for example, chicken noises and people talking in the background. This creates Versimilitude for the audience. When the fight starts, the music increases in speed and volume to suggest drama and violence however, the music is quite joyful and not intense which suggests that the fight could be just for a laugh. The sound fades when Gaius is looking down on Merlin in dissapointment, this emphasises that fact that Gaius is like a father figure to Merlin and he realises what he is doing is wrong and loses the fight.
Mise en Scene plays a huge part when defining class and status within the charecters. We are first introduced to Merlin who is seen to wear very rough tired clothing, which shows that he has not come from a wealthy background and therefore is looked down on by the other leading charecter. His robe is red which may be seen as being ironic, as red connotes royality and wealth. On the otherhand we are then shown a binary opposition of Merlin, fully dressed in armour made of iron this shows wealth and that he may be part of a army. This shows he is a strong charecter and therefore the peasents in the village look up to him.
When the women adresses Merlin she uses a tone and phrase of unwelcomness. The contrast in location implys also that Merlin should not be there, the scene begins in a castle which cleary shows the womens wealth and a quick jump shot is used to emphasis the change in location.
There are many shots and camera angles within the sequence that offer many different aspects of how class is represented. One of the more prominent ones is how the “commoner” Merlin is depicted within the castle. In a number of shots we see Merlin walking through the very grand castles. Steady Camera movements and wide shots are used to depict merlin as very small in comparison to the castle. This reflects the class structure where the commoners are the little people in comparison to the rich. We also see Merlin fighting with Prince Arthur. When Arthur moves towards Merlin initially with his weapon and begins to swing it above his head, the camera does not pan upwards to show the weapon; instead it remains a steady mid shot. This proves that the wealthier Prince does not need a weapon to with stand his ground or show his strength, his presence is enough to do that. The way that the camera is angled shows only his body in his armour. His stance within the shot also contributes to this. He is standing with a further three knights yet he is standing clearly in front of this, leading the pack and the camera is clearly positioned at all times to show the hierarchy within this group. Throughout the build up to the scene we also see how a four-shot depicts the closeness between the knights and the gap between Merlin and anyone else. We also see an example of a two shot in a previous scene when he is in the Lady’s room. At all times the gap is used to distinguish the class difference between these sets of people. Because they are off different classes they are not seen to socialise or get to close to the poor, suggested by the placement of the actors within the two and four shots.
We then look at Camera angles. There are clear indications as to who has the power from the angles of the cameras. Arthur is taller than Merlin and subsequently we see things from Arthurs eye-level. This gives us reason to believe that these shots have been chosen to show his looking down on a member of a lower class. We see this again when a low-angle shot is used when Gaius, a man whose intellectual power and stance within the royal household gives him more power and status than Merlin, is watching over, un-approvingly, the fight Merlin and the Prince are having. Earlier on we had seen an eye-line match from Merlin when he sneaks into the Lady’s room. His hesitation to enter and jumpy stance suggests he is in quarters of a higher class than his own, and this is reflected through the camera movement. We initially see Merlin creep out of the shot when the camera is focused on a grand part of the castle and later we see as Merlin enters the room, the camera pan around it, indicating his eye movements, to check no one will catch him in a room he isn’t meant to be in.
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